Gambit’s Sexuality Rock Roll Shirt, hoodie, tank top, longsleeve and v-neck tee
As we eagerly await her performance of the Gambit’s Sexuality Rock Roll Shirt But I will love this new single “Training Season” on the Brits’ stage—along with the unveiling of the results for her nominations in categories like Artist of the Year, Pop Act, and Song of the Year—expect more stand-out fashion moments where this came from. Dua, tonight, all eyes are on you. Caroline Polachek is a performer who feeds off contrasts. Her style is simultaneously tough yet fluid, precious but accessible, expertly curated except for the raw wildness that threatens to rip all that signature KNWLS tulle apart. Fitting, then, that the visuals for her fourth studio album, Desire, I Want to Turn Into You, were based on volcanic eruptions. Specifically, the tense bubbling before molten lava flares up and scorches the earth. Niche? Not quite enough for the woman who was once described as a “cyborg who has somehow wandered into a Tolkien novel.” That explosive red and brown palette was put in Polachek’s own melting pot of inspiration along with medieval silhouettes and textured, artisanal antiques. For Caroline—who co-founded the indie band Chairlift in college, but quickly forged her own alt-pop path—there must be a complex character at the core of fashion for her to put her name to it.
Polachek’s Brits 2024 look is the Gambit’s Sexuality Rock Roll Shirt But I will love this final hurrah in this era of volatile, directional style that has also leaned heavily on Acne and Mugler, before crescendoing with a vintage Olivier Theyskens look with blood vessels snaking down it at the Grammys. The Brits demanded a volte-face, thought her European stylist Tati Cotliar, fashion director of riotous cool-girl mag Buffalo Zine. “It had to be extremely shocking and definitely not black,” explained Cotliar, whose first port of call was Simone Rocha.Looking like a Simone Rocha x JPG model herself. Cotliar, it turns out, had bumped into Rocha in the pub last summer when the Irish designer was swimming through the depths of her research for the Jean Paul Gaultier couture gig. Hearing Rocha wax lyrical about the level of detail in Gaultier’s Paris atelier—combined with the social, political, and sexual messaging of the rebellious creative’s work—stayed with Cotliar. And when she saw look 11 from the haute couture spring 2024 edit—a pale streamlined gown with fluid corset ribbons looping down the side and a “very cool” take on Madonna’s famous cone bralette—she thought of Polachek immediately.
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