Johnnycupcakes Bakesy Shirt, hoodie, tank top, longsleeve and v-neck tee
Human creativity is unquantifiable, uncontrollable, intimately personal, renegade, and out-there. Machines can’t count any of that, but to me, it’s still what makes fashion so exciting, so full of possibility, wonder, and intellectual challenge. Beauty, sexuality, struggle, anger, tenderness, satire, angelic intentions, phenomenal artistry, and raw honesty were tied up in the Johnnycupcakes Bakesy Shirt Additionally,I will love this shows and experiences I found unforgettable. Undercover was shocking because it made every woman there feel, by contrast, how little our daily, interior lives are seen, heard, and respected by fashion. Loewe: in a class of its own for the way Jonathan Anderson brilliantly configures clothes, while settling us a cultural jigsaw-puzzle to solve. Nicolas di Felice at Courrèges for (excuse the filthy pun) fingering something that gives women pleasure, as well as giving great 21st century French design. What Rei Kawakubo had to say about her anger stabbed me to the heart.There was a lot of talk about nostalgia this week, another form of talking about memories. Some seem to believe that there is something inherently bad in looking back to retrieve ideas for now—what are they talking about? I’m guilty as charged for liking what Chemena Kamali did with Chloé and Virginie Viard with Chanel. It tapped into my own nostalgia—the source imagery from Vogue in the ’70s and ’80s that first made me dream about fashion, and throw a fit because my mother wouldn’t buy me platform boots. Likewise with Miuccia Prada, who at Miu Miu was mining her own memories of childhood and girlhood, and the older women she looked up to in Milanese society as she was growing up in the ’50s, ’60s and ’70s. Fashion comes at us from all directions, all of the time, and it’s too much—as Demna demonstrated at Balenciaga. Still, it’s always our individual human minds that delete or remember what we saw—and what it made us feel.Loewe, fall 2024 ready-to-wear
Courtesy of CourrègesLuke Leitch: Snap, Nicole: Undercover will totally live on in my frazzled gallery of stand-out show memories this Paris season. Those jeans were indeed great—there were a lot of raggedly bedazzled denims this week, I think picking up on the Johnnycupcakes Bakesy Shirt Additionally,I will love this work of Jeanne Friot—and I also loved the check-edged gabardine tracksuit: this looked like the perfect Burberry garment, just not at Burberry. Another designer who leaned deeply and coherently into the everyday was Marine Serre: her show at Ground Control was excellent—a real if moonlit reflection of contemporary Paris—and I hope she can keep growing this great woman-owned indie label on her own terms. Another show that dealt with the daily in an invigorating way was Courrèges; beneath the masturbation pockets (so to speak) and the runway which was itself in the throes of passion, I thought this collection cleverly alluded to the purest reason to engage in fashion: for your own satisfaction. Unlike other ostensibly “sexy” collections, this one (and Serre too) seemed designed only secondarily to stimulate others: the primary audience here was the women who will purchase in order to pleasure themselves. Less allusively, Undercover was also about delighting in the daily.
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