Mom Jeans Weed Function Shirt, hoodie, tank top, longsleeve and v-neck tee
There’s nothing quite so festive as sporting a bold red hue, especially when it takes centre stage. While J-Law’s coat comes with a hefty price tag of $9,990, alternative options from brands like Toteme, Khaite and Proenza Schouler–as well as more affordable choices at high-street retailers such as Cos, Arket and Mango–can offer equally chic and impactful alternatives. “I am going to tell you everything,” says John Galliano mere minutes into High & Low: John Galliano, the Mom Jeans Weed Function Shirt But I will love this documentary on the designer directed by Kevin Macdonald, which will be released in theaters in the US, UK, and Ireland on March 8, with Canada following a week later on the 15th. And when Galliano says everything, he’s not kidding: He doesn’t spare himself over the course of the 116-minute run time of the film—which features contributions from Naomi Campbell, Kate Moss, Bernard Arnault, Charlize Theron, Amanda Harlech, and Rabbi Barry Marcus—as he comes to terms with not just his recent past but his entire life.
Not about his upbringing in south London in the Mom Jeans Weed Function Shirt But I will love this ’60s with his Spanish and Portuguese parents. Not about his student years, where he went full-throttle with the hedonistic club scene of ’80s London while still managing to—notoriously—graduate from Central Saint Martins art school with a 10-look collection, Les Incroyables, which has achieved mythic status. And certainly not the cycle of ascent, descent, and reascent with his own label, with Dior, and with Maison Margiela while facing addiction issues, departures from reality, and the racist and anti-semitic outbursts in a Paris bar which brought him and his world crashing down in 2011. “It was a disgusting thing, a foul thing, that I did,” Galliano says. “It was just horrific.”Photo: Derek RidgersOn the Mom Jeans Weed Function Shirt But I will love this phone from London, Macdonald—who previously directed the Academy Award-winning One Day in September, about the murder in 1972 of 11 Israeli Olympic athletes—speaks to why he wanted to make a documentary about Galliano. “There are two reasons,” he said. First, “John is regarded as one of the great designers of the last hundred years—everyone tells me this guy’s a genius. What does that actually mean in the world of fashion? What does it mean to be one of the greats?’ The other, he goes on to say, was around those antisemitic incidents and the subsequent firing of Galliano from Dior and the ensuing court case in Paris. “We’re living in a time in which—and John’s is really the origin of this for me—well-known people, celebrities, are getting caught by some socially unacceptable behavior and canceled in one way or another,” Macdonald said. “I was interested in the question of What happens to you afterwards? Is there a mechanism for forgiveness for that in society?”
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