Slash St. Patrick’s Day Shirt, hoodie, tank top, longsleeve and v-neck tee
The singer also wore tweed on the Slash St. Patrick’s Day Shirt and I will buy this red carpet earlier in the night, and riffed on the theme for her second look. She donned a black and white Chanel skirt and miniature houndstooth purse, which she wore with a black blazer and a crisp white button-down. (She wore the Chanel look as a nod to what she wore for her first Oscar win.) One shared similarity between the two looks were her shoes: Eilish maintained her precious black patent leather heels with white, calf-high socks. This isn’t her first Thom Browne look of this awards season: for the 2024 SAG Awards, Eilish wore a black bodice and pencil skirt over a white button-down. You could say that Billie Eilish was made to wear Thom Browne.
See every look from the Slash St. Patrick’s Day Shirt and I will buy this 2024 Oscars red carpet, and follow along with Vogue’s live updates from the 2024 Oscars here. Margot Robbie has gone from Chanel darling to daring fashion plate in a relatively short space of time. She has two people to thank: Barbie, for giving her the bubblegum-tinted conviction to branch out from bouclé, and Andrew Mukamal, who has been sourcing headline-making pieces from the likes of Vivienne Westwood’s spring 1998 Pirate collection for his client. The Oscars, then, demanded a sartorial finale befitting an actor who was ultimately snubbed on the awards front, but who made this season about playful referential “lady fashions,” to quote Ken. By the Academy Awards, we’d seen all the “Solo In The Spotlight” Barbies, “Totally Hair” Barbies and “Day To Night” Barbies Mukamal could muster, and so the stylist looked to Mugler for an after-party look that celebrated the fashion theatre Robbie has made her calling card. BEVERLY HILLS, CALIFORNIA – MARCH 10: Margot Robbie attends the 2024 Vanity Fair Oscar Party Hosted By Radhika Jones at Wallis Annenberg Center for the Performing Arts on March 10, 2024 in Beverly Hills, California. (Photo by Daniele Venturelli/Getty Images)Daniele Venturelli/Getty ImagesAfter Zendaya’s gynoid suit put Mugler’s haute couture fall 1995 collection, with its Latex bodysuits and Botticelli-esque Venus gowns, back on the map during the Dune: Part Two promo tour, Mukamal picked a piece from the spring 1996 edit for a fresh follow-up to the archival coup. But of course, Thierry Mugler’s looks could scarcely ever be classed as ready-to-wear. In this particular show alone, models twirled round pillars in exaggerated coy Audrey Hepburn style wearing giraffe-printed coords and face-masking hats, sculptural suiting that provided a lesson in fashion architecture, and ruched red-carpet gowns with diaphanous hooded trains befitting Disney princesses.
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